Poets.net



Login with username, password and session length
Advanced search  

News:

Where Freedom of Speech Still Matters

Pages: [1] 2 3 ... 14   Go Down

Author Topic: Writing Forum Survey  (Read 8306 times)

Jennifer

  • Administrator
  • Hero Member
  • *****
  • Posts: 542
    • WWW
Writing Forum Survey
« on: June 19, 2008, 12:18:00 PM »
You may answer this survey (which has been moved over from the blog) anonymously:

1. Have you ever felt stifled on a writing forum? If so, how? (Feel free to name names and specific writing forums).

2. Have you ever been banned from a writing forum? If so, why? (If you're not sure why, offer your best guess.)

3. On some forums, does the application of forum rules/guidelines seem to offer more leeway for administrators, moderators, and forum "pets"? If so, offer some examples. (Feel free to name names and specific writing forums).

4. In your opinion, should some forum topics be off-limits? If so, what topics should writing forums avoid altogether?

5. Should forums allow for anonymous (for example, with no name or alias) discussion? Why or why not?

6. Should forum members be allowed to discuss the policies and behaviors of other forums? Why or why not?

7. Should forums that accept government funds be required to follow at least a limited "Public Forum Doctrine" policy*? Why or why not?

8. How would you define "libel"?


This survey will be left up indefinitely.

Please answer directly on this thread; public opinion ought to be, well, public.

Thanks in advance to those who have taken the time to answer this survey.

__________________________________________________

 ::) Comments 1:

Anonymous said...
FREE-DOM! FREE-DOM! FREE-DOM!

June 4, 2008 9:06 PM
 
Anonymous said...


This poll deserves a serious answer, but the questions are too numerous and call for too lengthy an answer. Defining 'libel' alone could easily involve a treatise or two.

I found the P&W forums really thin-skinned. I'm proud to say I was banned by Dana Davis and to this day I have no idea what my offense was. I recall using the term 'careerist poet' and causing quite a stir of indignation from the little band that frequents that rather sleepy site.

Poets.org has more moderators, and I'm thriving there at the moment, and I had a great time doing their poem-a-day for April.

I like on-line forums as a rule; it's a great place for all sorts of people to muck it up together.

Poets.net has the potential to be the best site around.

One curious thing I find is that really great posts tend to get few or no responses. If you want to get a response, you have to be short and sweet, and almost talk in platitudes. Nasty humor gets the conversational juices flowing like nothing else.

We're all barbarians at heart, when it comes to exchanges with others.

We're only really civilized when we're in silent awe.

So I'd appreciate it if you didn't reply to this. Please appreciate it silently.


Monday Love

June 4, 2008 10:37 PM 

Anonymous said...
I can't imagine what this questionnaire expects to find out except to confirm your own assumptions and prejudices. Indeed, I would say the first comment is spot on--FREE-DOM! FREE-DOM! FREE-DOM! is what cheerleaders chant when they've got God on their side.

So have I ever felt stifled on a writing Forum? Absolutely not. Indeed, the only limitation I ever feel when I'm writing anywhere anytime is in myself. And am I always allowed to say anything I want to say? Absolutely not, but there are a whole lot of things I don't want to say as well. I don't want to hurt people's feelings for one thing. I want them to like me and to understand what I'm talking about, I want them to be interested and to take me seriously, even if I'm being irreverent or funny. So I write very differently in different situations, and the only thing that remains the same is that I always try to write to the best of my ability.

Do I ever feel there is hostility toward what I am writing? You bet I do, particularly if I'm writing about a sensitive or even forbidden topic, let's say like the veil or abortion or the authority of God's word. On the other hand, if I get a chance to write about any of those topics in a forum where there are people who feel differently from the way I feel, then I also feel it's such a privilege to have the chance just to be heard, and will try even harder to get as deeply into the tricky subject as I can. And that's not easy, of course, but it's also not a question of feeling stifled at all, just challenged.

Your questionnaire assumes that everything ought to be able to be said everywhere, and this is just naive. Even in a marriage you can't say everything, even in the freest of parliaments. We writers are equally human, and can say only what we are capable of saying within the limits of our own understanding. And a good, kind and sensitive writer always respects the limits of his or her audience too, including age, culture, gender, religious persuasion, nationality and, most important of all, education.

You get my drift, I'm sure--even if it's painful. I mean, look at your question #2? How many people in the whole of America have been banned from a writing forum? It's a ridiculous question--it's set up just for you people, a tiny handful of agitators who have been banned, not for neurotic or abusive behavior, there are plenty of those, but because you want to be banned in a way, like civil rights protesters want to be bundled off by the police and environmental activists want to be soaked and abused. It's what they're there for, isn't it, to get arrested? That's how they make their point, after all, that's how they get something done. I think even Christopher Woodman would agree with that--if he hadn't been stopped nobody would have noticed what he was saying!

I'm afraid you've got to do a whole lot more thinking on this site if you're going to be effective. Freedom is a far trickier entity than most social issues like the vote for women or even racial equality--it's not something you can even fight for in the abstract, in a way--you can't do FREE-DOM, FREE-DOM, FREE-DOM! Because the struggle for freedom is always involved just as much with self-restraint and patience as it is with self-expression and letting it all hang out.

I'm with you very much in your literary cause, which is why I'm here, but you're not arguing your case very well. I read you, but I wouldn't feel comfortable joining you yet, at least not by name.

I'll keep watching--if you show me a smarter, more sophisticated understanding of freedom I might even join you.

Meanwhile you can call me Robocop if you want to reply to me specifically.

Robocop

June 7, 2008 2:58 AM 

Anonymous said...

 
Robocop,

Your reasoning reminds me of Socrates' who took the hemlock--when friends were willing to save him. The philosopher told his friends that he owed his life to the state, so it would be wrong to flee the state's decision.

But who is more like Socrates? You, or Christopher?

You choose to 'get along,' respecting the forum and the opinions of others. Therefore, you, unlike Socrates and Christopher, live to see another day. Your principle is to 'have no principle' if it conflicts with others.

I would argue that you are the silver soul, one who will behave in a tepid or restrained manner in order to get along with others; your 'silver type' is a necessary and noble element in human intercourse. Yours is the solid, middle class morality necessary for civilization.

Socrates and Christopher are golden souls who provoke in a selfless manner: martyrs who die for others. If Socrates achieved lasting glory for his death, should we revile him for his martyrdom? If Christopher has his voice silenced because he wishes to speak the truth, should we, the silver souls, resent him as a mere attention-getter?

You are correct, Robocop, when you say this issue is more complicated than 'free-dom!' Socrates earned glory for himself--while meekly obeying the state.

I took our discussion deeper simply by citing this ancient example and letting its light shine on our present case.

I hope we can discuss this complicated matter further.

Respectfully,

Monday Love

June 7, 2008 2:31 PM 

Jennifer said...


Thanks, Robocop.

I asked question #2 as someone who has NEVER been banned from a writing forum.

Yes, I was warned but never actually banned from poets.org, but, perhaps, this is a minor point.

I meant it as a serious question to people beyond the obvious ones such as Christopher, SawMyGirl, and Alan--we all know they have been banned, so that wouldn't be too useful if they were to answer this question.

But could there be others out there who have been banned by writing forums even beyond the two we have been discussing since the inception of this site? And why? I don't know the answer to this and am genuinely interested in finding out.

It could be that banning is a relatively rare occurrence, but how would we know?

I absolutely agree that with freedom of speech comes great responsibility and balance, but it seems to me that stifling negative commentary about po-biz accomplishes nothing except retaining the status quo and allows offenders to continue re-offending.

It's often tricky to find that line between bringing po-biz practices to light and hurting someone's feelings. Even if it's warranted, do we not name names because it might hurt someone's feelings or even his/her career and/or reputation?

On the other hand, I'm not interested in looking for dirt under every bed and in every corner. In fact, I just wish for a more open system that would discourage questionable literary contests and censorship.

Ironically, a year ago, I actually defended Poets.org on my Post Foetry blog because I sincerely believed that it was a more open forum.

Anyway, I just want you and others to know that I'm looking for serious answers to what I consider serious questions, even that seemingly tacked on question about defining libel.

Best,
Jennifer

June 7, 2008 10:56 PM
« Last Edit: June 22, 2008, 08:47:15 PM by Jennifer »
Logged

"Jen the Hen Speaks Softly But Carries a BIG Red Pen." --Hennifer Seagull

Biblio

  • Newbie
  • *
  • Posts: 12
Re: Writing Forum Survey
« Reply #1 on: June 19, 2008, 09:37:12 PM »
1. Have you ever felt stifled on a writing forum? If so, how? (Feel free to name names and specific writing forums). 

   A few years ago I did a very small amount of commenting on Eratosphere but I was not active enough to feel stifled; the tenor of the transactions seemed very polite at the time.

2. Have you ever been banned from a writing forum? If so, why? (If you're not sure why, offer your best guess.) 

   No.

3. On some forums, does the application of forum rules/guidelines seem to offer more leeway for administrators, moderators, and forum "pets"? If so, offer some examples. (Feel free to name names and specific writing forums). 

   No opinion.

4. In your opinion, should some forum topics be off-limits? If so, what topics should writing forums avoid altogether?

   It's probably appropriate for there to be forum moderators. Charges of libel (see following) and legal impropriety may be better raised in legal settings, although I know that was a hot issue on Foetry.


5. Should forums allow for anonymous (for example, with no name or alias) discussion? Why or why not?

    Many forums allow for anonymous posters, and my personal opinion is that if a forum has anonymous posters, a moderator should review postings before they go live and -- if necessary -- the moderator should not post some comments, and let the poster know when his or her replies were not posted.

6. Should forum members be allowed to discuss the policies and behaviors of other forums? Why or why not?

   Complaints and praise for other forums are fine.

7. Should forums that accept government funds be required to follow at least a limited "Public Forum Doctrine" policy*? Why or why not?

   Maybe. Stlil haven't digested the Publc Forum Doctrine. Sorry.

8. How would you define "libel"?

   Narrower legal and broader "everyday" definitions of libel are used sometimes in the same posting by the same poster. In the legal sense libel needs to be proven and confirmed by the decision of the court in a civil suit. Libel still exists in its everyday definition of insulting and unfounded accusation.
Logged

Jennifer

  • Administrator
  • Hero Member
  • *****
  • Posts: 542
    • WWW
Re: Writing Forum Survey
« Reply #2 on: June 19, 2008, 11:59:19 PM »
Thanks, Biblio.
Logged

"Jen the Hen Speaks Softly But Carries a BIG Red Pen." --Hennifer Seagull

Jennifer

  • Administrator
  • Hero Member
  • *****
  • Posts: 542
    • WWW
Narrative Response: Writing Forum Survey (Matt Koeske)
« Reply #3 on: June 22, 2008, 06:26:17 PM »
Matt Koeske's essay appeared as "Poets.net Survey: A Narrative Response" on the blog (June 9, 2008)--admin.)

I'm very happy to see this conversation happening. I mean the one that evolved out of the survey more so than any direct reply to the survey's questions. I am entirely in favor of the ever-vigilant examination of the rhetoric of us who identify as "outsiders" and support Foetry.com's and Poets.net's missions. And Robocop's points [comment section] are, in my opinion, excellent ones . . . and without the whiff of elitist/insider dismissal of the other that is what we "others" tend to hear so much of the time.

For instance, I think Robocop is entirely correct in suggesting that the rhetoric of this survey is misleading in a partisan way. That is, the subtext of the survey implies and reinforces an outsider/insider or tyrant/victim dynamic between forum moderators ("insiders") and unaffiliated and "dangerous" dissidents ("outsiders"). I found that I was not able to really answer most of these questions, at least not simply . . . as I found them leading and inclined to simplify and pigeonhole responses and responders. Not that I failed to understand and appreciate the subtext of the survey. The sentiment (tinged with necessary outrage and drive to change) is valid and extremely important, but perhaps the time for such a survey and its implication of an Us vs. Them call to arms has not yet come. And I mean primarily that those called on to "join the outsider army" are being asked to pick sides before they have been convinced or otherwise (honestly) wooed. It's not time yet to dig foxholes (and may never be).

That said, my only experiences on a poetry forum have been with Foetry.com and Poets.net, and a handful of the same people have been involved with both. On Poets.net I know my voice will be tolerated and probably even appreciated much of the time. My experience with Foetry.com was mixed. Many people seemed to appreciate my more essayistic and "literary" posts, but a number of Foetry regulars made it clear that forum posts were "supposed to be" short, simple, unreflectively emotive, and free of argument (in favor of bald and unexamined opinion). I saw this as small-minded and self-defeating, and I continued to both write my essay-posts and to argue for the value of such a development of argument and idea. I owe it to the awareness and respect of Alan Cordle that he also saw value in my approach and entrusted Foetry.com largely to me after he retired. That is perhaps not the most accurate way to explain what really happened. In fact, when Alan retired, I tried to argue for a coalition of the regulars (the "Anti-foets") to collectively take charge and install no leadership.

As I was perhaps the leading voice in stumping for this democratic coalition, it turned out that (as anyone involved in activism might expect) I ended up with the lion's share of the responsibilities. I tended to see this as similar to the common cartoon scene where one person is volunteered because s/he forgot to step backward along with everyone else in line. Even though I repeatedly declared that I was happy to do anything I could to further the cause of Foetry.com (within the scope of my sense of ethics), I did not in any way want to be in charge of Foetry.com . . . as it turned out, that was precisely what happened (and by default rather than election, I might add).

My one year tenure as Foetry.com's admin was admittedly frustrating for me. I attempted to push Foetry toward becoming a more journalistic PoBiz news source and "poet's advocate" information archive. I argued for organization, better research and presentation, and a new dedication to fair-mindedness and clarity. But I tried to remain conscious of the fact that I was, ideologically, more radical than many of the Anti-foets when it came to my objections to the PoBiz system (which I felt should be both boycotted and critically deconstructed). Recognizing this, I made every effort to not stamp Foetry.com with my personal philosophies. A significant part of doing this was to call for volunteers to take on various projects (research, mission statement writing, organization and verification of evidence against poets and judges involved in contest and publication improprieties, a formal FAQ addressing the many repeated questions and attacks Foetry.com received to which no definitive and readily available answers were available, etc.

But perhaps because this sense of a conscientious and more-professional, grassroots, activist organization required more disciplined (and more carefully reflected upon) efforts from a "staff", combined with the general disillusionment we all shared regarding Alan's retirement, things never came together as I had hoped (and felt was necessary in order to make Foetry.com viable and useful for poets). At the same time, I was an odd "choice" as an admin, because (similarly to Alan) I had already "retired" from the whole poetry game by this time and stopped writing and reading poetry. My investment was based entirely on the fact that I felt what Foetry.com wanted to achieve was a just objective and greatly needed support from those who recognized this (and also had the sense to direct this objective and the grassroots outrage behind it toward useful, ethical, and intelligent reform).

But I came to feel that if I, a person who had lost interest in poetry in almost every way and no longer had any personal poetic ambitions, was the most enthused about the cause, the future of the cause was in sorry shape. I was ready to move off into my prose writing and pursuits of psychology, so I felt ready to retire from Foetry.com along with Alan. We discussed this and agreed that it was time to shut down Foetry.com . . . feeling that handing off the reins to yet another loyal supporter was bound to only pass the buck and stick them with the same burdensome situation that we found impossible to resolve. Our hope was that, if anyone really had the drive to continue the Foetry.com mission, s/he would simply start over and do so on his or her own and sans Foetry.com's baggage.

And this is precisely what Jennifer has done . . . and I hope she can understand that the reasoning Alan and I implemented in our closing of Foetry was intended to be an act of kindness and support for whoever took up the standard next . . . and not an attempt at forbidding access to a resource.

I mention all of this in the hope that it will serve as one example of the difficulties of constructing any kind of forum community and suggesting that there are all kinds of ways in which an ideal of that community fails to function in act. Humanity must be preserved at all costs in any organization . . . and that includes individualism, a right to speak and to disagree even with one's fellows. At Poets.net, we are just beginning, and there will be growing pains. I am completely tolerant of this, but at the same time, I have already (both privately and publicly) spoken out on behalf or restraint and careful strategy. What I appreciate (and recognize as a rarity in any group dynamic) is that my cautions have been seriously considered by all those involved in Poets.net. This dynamic is pushing us closer to a democratic ideal, where decisions are made with collective reflection while also giving plenty of space for individual expression. Instead of the group (or a dictator's) psychology conforming the published products at Poets.net, the group has given the right of equality and voice to all who would speak. And so far, there has been a significant amount of self-criticism on this forum.

This is such a unique and wonderful thing, that I hope it will come to be appreciated and respected by more and more who visit Poets.net. And I hope that many of these people will understand that the beginnings of this kind of functional democracy are going to have their hiccups and belches. I'm reminded of the Dr. Seuss story, "Yertle the Turtle", in which a "plain little turtle named Mack" finds that the only way to rock the ridiculous system of King Yertle's oppressive supremacy is to issue a small burp . . . and the whole hierarchical stack of turtles comes crashing back into the pond. I think there should be tolerance for these occasionally "unseemly" burps coming from those people on the bottom of the stack, those people barred from entering the Kingdom of Poetry. This tolerance and understanding of the nature of dissent and outrage are what (as far as I have seen) are most lacking in the criticisms and dismissals of Poets.net (and Foetry.com) coming from "insiders" and PoBiz devotees and wannabes.

The main reason I wanted to be involved with Foetry.com when I joined was to contribute the thing I realized was my most useful attribute: balance and rational (or at least complex and articulate) philosophy. I didn't want to just jump in and amplify the voice of outrage and injury that already rang out loudly from Foetry.com. I felt that what Foetry.com lacked was a devotion to credibility and an adequate consideration of how others not in its camp perceived its rhetoric. If the harshest critics and smug dismissers of Foetry.com had been correct about the "shrill, self-centered whining in the name of sour grapes", then Alan and the other devoted people at Foetry.com would have made every effort to dispose of me and my attempts to encourage balance and credible reform. But not only did that not happen, I even wound up as the admin of the site.

That is a testament to the intelligence and fairness of this group . . . the best and brightest of which have reemerged to keep fighting the good fight through Poets.net. These good people are capable of reason and change. But sometimes we will make blunders in the pursuit of a cause. This is, in my opinion, not any kind of justification to dismiss what is being attempted here. What IS being attempted is a bold and original adaptation, the evolution of an entirely new life form in the poetry world. So long as dissent is allowed and listened to here, this evolutionary event with progress toward fitness. Individual voices will be tolerated and yet they will listen to and influence one another. We should not fall into the same position that the original malcontents with democracy voiced. Democracy is a complex system, and it needs time to evolve and self-organize. The alternative is some form of royalism or dictatorship or party elitism.

So I encourage all who would question the way Poets.net presents itself and its ideas to continue voicing criticism (but not sniping dismissals, which are not in any way useful for anyone). Thus far, Poets.net has demonstrated that these criticisms, even when they hurt, are being considered and can in fact lead to change. That the people here are willing to listen and reflect on anything that is being said to them already demonstrates the unique and rather wonderful potential this site foreshadows. Where else in poetry today is there this much willingness to self-criticize and even change directions based on well-argued critique?

Even as I have already voiced a number of criticisms and calls for restraint to the people posting, commenting, or being quoted here, they have continuously impressed me with their ability to reflect and seriously consider the values of mission and fairness even over personal desires and injuries. The call-outs Jennifer has posted declaring that freedom of speech is granted and admired here are not blown smoke. For those of you who don't like what is said on Poets.net, come and voice your dissent and criticism . . . and do so intelligently. That is how progress is made.

My Best,

Matt Koeske
Logged

"Jen the Hen Speaks Softly But Carries a BIG Red Pen." --Hennifer Seagull

Jennifer

  • Administrator
  • Hero Member
  • *****
  • Posts: 542
    • WWW
Comments: Poets.net Survey: A Narrative Response
« Reply #4 on: June 22, 2008, 06:34:11 PM »
  ::) Comments:

Alan Cordle said...
 
I've just made one quick pass through this essay and can't find a single point of disagreement. I believe that poets.net is the successor not only to foetry.com, but also to the failures of the forums at poets.org and pw.org.

Like Matt, I'm pretty disillusioned with po-biz -- not ready to say the foets have won, but not very interested in reading the dreck they keep churning out on behalf of and for each other.

Jennifer's got an amazing site going here and I admire what she's started. I hope others will contribute their skills, content, and criticisms to make it the place on the web that turns po-biz around.

June 9, 2008 7:43 PM
 
Gary B. Fitzgerald said...


I remember once when I was a boy and the snobby rich kids wouldn’t let us into their party. They were rude and laughed at us, told us to go away. So we left. But we didn’t hang around in the front yard waiting for a dollop of lobster bisque. We went out and bought some wine and had a bigger, better party in the woods.

I suppose you could call me the ‘outsider’s’ outsider, but I realized long ago that Academia and Business, alone or combined, are counterproductive to good poetry. There is no way one can be part of any current system or ‘establishment’ and produce purely original poetry. I’m not saying that a poet should be ignorant or untrained, just that once you have learned the basics you must fly on your own. Intellectual inbreeding results only in endless reference and repetition of predecessors until one fades in their shadow. Influence by contemporary friends and heroes further dims the flame of independent insight and originality.

Study your history. Most who broke the idol of precedent, who followed the light of their own lamp, came in from the woods.

June 9, 2008 9:43 PM 

Matt said...

Gary, here's to the woods!


Alan, will you be in charge of beer?

Best,

Matt

June 10, 2008 10:48 AM
 
Anonymous said...

 
I love lobster bisque and I am going to wait here until I get some.

Monday Love

June 10, 2008 2:06 PM 

Gary B. Fitzgerald said...


Poets! Jeez...like herding cats.

June 10, 2008 2:25 PM
 
Anonymous said...

 
"Intellectual inbreeding results only in endless reference and repetition of predecessors until one fades in their shadow. Influence by contemporary friends and heroes further dims the flame of independent insight and originality."

Gary, well said!

But isn't true that 'good poets imitate, great poets steal?'

June 10, 2008 2:25 PM
 
Gary B. Fitzgerald said...

 
Good poets learn.

Great poets forget everything they learned.

June 10, 2008 2:43 PM
 
Christopher Woodman said...

 
I like what you say, Gary, and I know it should give me hope. "Study your history," you encourage me at the end, "most who broke the idol of precedent, who followed the light of their own lamp, came in from the woods."

But came in where? You're talking about poets who have done the long, hard work both on the craft and themselves, and have found their own voices. I want to know what do they do next, where do they settle down and with whom do they sup?

There's an essential ingredient to all this which is so close to us we hardly see it: we contemporary poets are bedevilled by such unrealistically high expectations--we still imagine there's an audience. The reality is that never in the whole history of poetry has so much been promised to so many poets, yet in reality so little been ready. Before it was easier, even in the early 90s when I first started publishing. I got hand-written notes from Theodore Weiss, whole letters from the likes of James Laughlin and Alice Quinn on old, mechanical typewriters that needed ribbons, and real engagement from Joseph Parisi and a good scolding from Marilyn Hacker. All that's impossible now, not because the editors aren't that good anymore but because too many poets have the same expectations. And why shouldn't they, after all, insiders or outsiders they're still poets and as such long to be read and even to get rejected with good feedback's not too bad.

Now that's just a fantasy.

Because those days are over in America, and I guess pretty much forever. Once you come in from the woods fully initiated in the mysteries of life, love and art, even as a poet, what's offered is just a playdate!

Christopher

June 11, 2008 8:18 AM 

Anonymous said...


"Good poets learn.

Great poets forget everything they learned."

Gary, that's pretty good. Is that yours?

June 11, 2008 3:02 PM

Anonymous said...


Christopher,

I imagine one could still have correspondences with poets and editors today. It depends on where you look. Or, what kind of letter you write. I'm sure I could get a letter from Alice Quinn, not if I sent my poems to the New Yorker, but if I wrote her a letter saying how much I admired her book on Elizabeth Bishop. Or, if you are doing research, or writing an article with a positive angle, I'm sure a lot of doors would open. Of course, you wouldn't find a Samuel Johnson or a Goethe; you'd find someone no smarter or learned than yourself. Wouldn't that be a drag.

June 11, 2008 3:13 PM
 
Gary B. Fitzgerald said...


To my knowledge. God only knows what's floating around in the subconscious sea. :-)

June 11, 2008 3:14 PM
 
Anonymous said...


Gary,

I like it.

Maybe you could polish it up into:

Good poets remember.
Great poets forget.

or

Good poets learn to remember.
Great poets learn to forget.

June 14, 2008 10:32 AM 

Christopher Woodman said...


Not a touch on Gary's original.

"Good poets learn.

Great poets forget everything they learned."

Of course it's partly a result of the shock in the context, but it's also the eccentricity of the grammar. Both the ear and the mind's assumptions are ready for the present perfect, "have learned," after the usual sort of forgetting as cast in the present tense. The past simple isolates everything that has been forgotten. It creates a total disjunct, and invokes a whole universe of endless present in the particular way poets "forget."

The present perfect is the tense that makes the past operative, with the past simple it ceases to exist.

C.

June 14, 2008 8:06 PM
 
Gary B. Fitzgerald said...

 
"By Jove, I think (s)he's got it!"

It's called poetry.

Thank you, Christopher.

(Now buy the books, for God's sake!)

:-)

June 15, 2008 1:28 AM 

Gary B. Fitzgerald said...

 
P.S.: Christopher, take it from a Taoist. You think too much.

June 15, 2008 2:37 AM 
Logged

"Jen the Hen Speaks Softly But Carries a BIG Red Pen." --Hennifer Seagull

Jennifer

  • Administrator
  • Hero Member
  • *****
  • Posts: 542
    • WWW
Re: Writing Forum Survey
« Reply #5 on: June 22, 2008, 08:56:43 PM »
 ::) Comments 2:

Anonymous said..

Monday Love:

Do I choose "to 'get along,' respecting the forum and the opinions of others?" Yes, I do, but I don't see anything wrong with that, and I don't see why that would indicate that I "have no principle." I think it's more a technique than a position, and it's effective not only because you get to live another day but because it actually gives you the chance to do something. It gives you some time and it gives you greater leverage too than just a head-on collision--which tends to wipe everybody out.

"Restrained," yes, but not tepid, unless tepid is the best temperature to be effective. Like the art of war, it's all about not getting into a battle and still winning--show hot, show cold, and listen.

Look, I freely admit I'm not so good at all this myself. I guess that's why I'm reluctant to come out and join you more openly. When I hear the drum beats my blood quickens too, and I have always just taken it for granted that God was on my side. That's why I know idealism like yours when I see it--and recommend that you all tone down your rhetoric a bit so that your enemies can't dismiss you as in yet another feeding frenzy!

Do you remember who put that one on you before?

And what about "the solid, middle class morality necessary for civilization?" I mean, who's talking about civilization? I thought we were talking about poetry.

Also, Monday Love, I know who you are very well, and you're actually doing at Poets.org just what I would recommend you to do. You're listening to them, thinking about what they say, learning their language--and there's a lot of it to learn there too! Christopher Woodman did the same, I would say, because he tried his best not to swallow that Hemlock, didn't he? You could hardly call him a martyr, he tried so hard and so deviously almost, like Odysseus, to stay alive. And look what he's doing here, as if the blood-letting at Poets.org had just given him strength?

I'd say you two are a great team, by the way, and I've been following you quite carefully too. But you're going to find it a lot harder to be effective once you have your own platform, you know, simply because you won't have to be so careful anymore. You won't have to listen or be tactful or come up with some new, outrageous stunt or story to get over what you mean. Of course you weren't as free there as you'd like to have been, but you know, if those problems didn't exist you wouldn't have had a clue who you really were, either of you.

That's my feeling--you're still just in opposition.

And Jennifer, it is truly very tricky indeed to find the way to publicize po-biz practices without hurting someone's feelings, because not one of those practices is far from someone's self-image, bank account and career. So that's the fine line--to be able to expose the practices in such a way that people don't always have to get hurt, or at least as few people as possible. Because you've simply got to have some of those people on your side--you've got to bring some of them over to share your vision. If you polarize them you'll just have to fightthem--you've got to come up with something that is so attractive it'll attract them!

Thanks for listening, all of you. And thanks for being so understanding above all you, Jennifer--you're a truly remarkable person if you can run a site like this and still hear criticism!

That really separates you from Poets.org!

Robocop

June 8, 2008 4:47 AM

Christopher Woodman said...

Thanks for the good words, Robocop--though how you came up with some of the things you say I can't imagine.

So where was I devious? indeed, my whole argument was that I wasn't devious, that if the records could actually be displayed it would be clear to everyone that I never did any of the things I was accused of, not one of them. I never wrote an abusive PM to anyone, I never tried to play one moderator off against another, and I was certainly never aggressive or disrespectful in my posts.

And the joke is that what I did do the moderators were at great pains to say I didn't do at all, and that it was not at all the grounds for my getting banned. The moderators said I never said anything libelous or even potentially libelous--indeed, that was an argument that one of the moderators put forth right at the end but then very hastily withdrew literally minutes before the lights went out. It wasn't supposed to be said!

The fact is that we are up against nameless and faceless opponents who fear that what we say is potentially of great danger to their reputations and their business interests, but because we're talking about poetry we're not supposed to be thinking about our reputations what is more engaging in business. So my crime has to remain undefined for fear that by defining it certain indefinable elements might be associated with inappropriate sentiments and ambitions.

WOW!

That's why it's so threatening, you see--the crime has no name!

But I'd really like to thank Robocop for making us consider what it might be like to have no opposition. I mean who would we be then? What would we die fighting for if we had no enemy, and what freedom would inspire us if we were already free?

My own feeling is that the enemy is NOT the so-called PoBiz at all, and even if all the competitions were clean, all the editors and publishers were cleared of conflicts of interest, and all our American poets awake and sensitive enough to be free of ambition and other venal concerns, even so we'd have a huge problem. Because the problem is that the number of students & teachers of poetry in America today so out weigh the number of readers of it that the writing of poetry has lost contact with the reading of it altogether. And that's serious, and nobody wants to find out!

So I guess I do agree in the end, Robocop. We do need an opposition because if there's no opposition the problem we want to solve doesn't have a shape or a name, and nobody will believe in what we are doing!

In the end we've just got to make the problem interesting. That's all we can do!

Christopher

June 8, 2008 7:59 AM
 
Anonymous said...


Robocop,

Thanks for your thoughtful reply.

I suppose I do seem quixoitc when I say 'civilization;' as you remind me, 'civilization? I thought this was poetry.'

But poetry is civilization. I think we diminish poetry when we put it off to the side.

I am not only learning about Poets.org. They are learning a thing or two from me, also. Good for all of us.

The major point about Po-biz and Joan Houlihan and Jeff Levine and Christopher is this: Po-biz has not acknowledged that Jeff Levine committed a grave error in judgment when he hustled poets, one of them being Christopher Woodman. Poets & Writers allowed Joan Houlihan (Jeff Levine's business partner!) to have the last word on the matter, accusing Levine's accusers of ignorance and vindictiveness. If this is allowed to stand, without further discussion, what sort of message does this send? I don't think anyone wants to put Jeff Levine and Joan Houlihan out of business. They are sincere, I'm sure, in 99% of what they are doing. But they crossed a ethical line, and po-biz, in whatever official capacity it can bring forth, needs to acknowledge the mistake, and move on. Woodman should not be banned for mentioning Houlihan's name on poets.org. The cover-up has become worse than the crime. This affair seems to indicate that sleazy commercial interests will be permitted to triumph in the future. Who was talking about academic poetry corruption in a systematic manner before Alan and Foetry.com? No one was. Doesn't that worry anyone? The Levine affair should also make us realize how small po-biz really is. Poets.org is beholden to the IBPC, as its workshoppers compete for poetry prizes there. Web Del Sol runs the IBP, and Joan Houlihan is a major player at Web Del Sol. You couldn't make this stuff up.

We don't need the peasants to storm the castle with torches and pitchforks. We don't need to libel anyone. All we need to do is be honest and truthful about what's going on. I see this as win-win. Why shouldn't poetry be seen for what it is? It's not 'only about the poetry.' It never has been, and never will be 'only about the poetry.' Poetry will benefit, in a larger sense, if is seen with a human side. Woodman and Houlihan and Levine could be laughing about what happened together. It might be too late that for that, but who knows?

It's the cover-up tactics playing out at Poets & Writers and Poets.org which I find especially disconcerting.

Thanks for listening.

Monday Love

June 8, 2008 9:51 AM
 
Jennifer said...


Robocop,

Thank you so much for your comments; we need people like you here and hope that you will keep coming back.

You see, I don't want to become another emperor without any clothes. I want others to question what we do because that will help keep us honest and on track with our mission, which, admittedly, is kind of loose at the moment.

The core "members" of this group often do not agree with each other, which makes for some interesting discussions. But I see that as a good and healthy thing.

Although I technically "own" this site, it would be nothing without its people: friend, foe, and those in between; I want to hear what people say, even if it hurts my feelings and makes me question my own motives. If I don't hear what others are saying, then that narrows my own viewpoint.

So that also means accepting the snark that comes along with it. And that's okay because not worrying about a little snark and silliness sends the message that poets.net is a place where poets and writers can banter without being pruned or locked.

Silenced.

Please feel free to remain anonymous as Robocop; I completely understand why you and others need to remain anonymous.

For a year, I (as Bugzita) was anonymous on Foetry, and coming out into the light was one of the scariest moments of my life.

Best,
Jennifer

June 8, 2008 11:54 AM

Logged

"Jen the Hen Speaks Softly But Carries a BIG Red Pen." --Hennifer Seagull

Jennifer

  • Administrator
  • Hero Member
  • *****
  • Posts: 542
    • WWW
Re: Writing Forum Survey
« Reply #6 on: June 22, 2008, 09:01:47 PM »
 ::) Comments 3:

Matt said...

(See Reply #3, posted separately in this thread)


Matt Koeske

June 8, 2008 2:56 PM

Matt said...


Regarding being banned from forums, although I have never been banned from a poetry forum, I have been banned from a Jungian psychology forum and for reasons much less contentious even than those surrounding Christopher's banning (in my opinion). I simply voiced three things that these particular Jungians could not collectively tolerate: 1.) I dared to disagree and criticize some of Jung's ideas and writings that I saw as dated and in need of modernization, 2.) I voiced my own tendency toward atheism and my criticism of the spiritualism and religiosity that many Jungians took for granted and I worried was a wrong-turning (as it came with the dismissal of science), and although I did not do this with any kind of evangelism at all, it evoked a great deal of anger in the true believers of the community, and 3.) I argued for the value of dissenting opinions in any intellectual community, because without them, no progressive discussions could occur. Part of this arguing for the value of dissidents and contrary opinions included a protest against the personally abusive attacks some of the moderators made against me . . . and in lieu of any actual response or counterarguments to my initial arguments.

I was eventually banned immediately after writing a PM to one of the admins in which I brought a grievance against a couple of the moderators who had issued personal attacks publicly against me for ideological reasons (where I never instigated or engaged in any personal attacks of them). I merely asked that this sort of thing cease, as it was both hurtful and made the community look bad. The banning was never explained or justified to me. No discussion with the admins took place. I merely was informed in one sentence via e-mail that I was banned. No mention of my banning or any explanation was given publicly on the site.

Shortly after this (and taking a somewhat different approach than Christopher has taken), I started my own Jungian psychology forum. Perhaps fearing that their mistreatment of me could no longer be silenced and swept under a carpet, the admin who banned me quickly reinstated me (I had not asked for such a reinstatement). But, I had no interest in returning to a community that would ban me for ideological reasons . . . nor any interest in waging a war with them. My interest was in pushing Jungian thinking into the 21st century . . . and that is what my forum has been dedicated to doing.

From the very beginning of the conflict between Christopher Woodman and Poets.org, I recommended to him that he not waste his time on fighting with them, because I felt that he only sullied himself in the act. But I have to admit that Christopher's persistence (although not something I would personally choose to emulate) and outrage, although somewhat martyrous, has continued to shine a light on a wrong that was done to him and which was essentially advocated by the Academy of American Poets, if only indirectly. In this battle, there has been a bit too much of the "if it bleeds it leads" approach for my taste . . . but if that is what gets people's attention and brings them to consider the nature of PoBiz society and its problems and dangers, so be it.

What I like about Christopher's outraged approach to this injustice most of all is his self-presentation of utter innocence. One can scrutinize this, of course. It is a persona, in my opinion, but not a lie. That is, we might speculate about whether or not this Woodman fellow is really as innocent as he presents himself, but what is, I feel, true is that such innocence and outrage should live and live furiously within all of us and be as shocked and offended by the dehumanizing treatment of poets (especially aspiring poets) in the PoBiz as Christopher's voice has been. Still, what makes his voice most compelling and perhaps universal is that this Christopher Woodman is an old, ex-pat who has no real ties to PoBiz indoctrination. He is like an utter alien who stepped into this sordid system with the "naive" expectation of being treated with normal, humane respect. He is expressing the outrage of what it feels like to be an intelligent and self-respecting human being who is "handled" in conventional PoBiz ways. We may think that he protests too much or exaggerates, but his voice on these matters is, I feel, a distillation of the human, unindoctrinated poet that has suffered so severely under the PoBiz "regime". This is a reflection of the voice in all of us that has been shamed into obedience and silence. So if Christopher cries out louder than we might find "seemly", good for him and good for us. This shamed human poet in all of us, the one that thinks big ideas and feels powerful emotions and embraces romantic and dire ambitions, deserves its all too rare champions more than anything else in poetry today. This is the poetic voice and self that has been exiled and stomped out by the current PoBiz, academic system that commodifies and specializes the art form of poetry out of public existence. I think that the way we, as individuals, react to this voice is a reflection of the sense of valuation for our humanness and vision that we yet retain, even if it is ailing under the influence of PoBiz indoctrination.

For me, the skirmish with Poets.org and the Academy of American Poets is the smaller issue. What is most important about Christopher's protests and persistence is the championing of the disparaged and neglected innocent poetic and human voice which I feel is the most essential sun and gravitational mass around which the real poet's planetary system revolves. Without this voice and without its cultivation and championing, one is not, cannot be a poet . . . but only a scholar of poetry, an academic specialist divorced from the reality, burden, and drive of being a true individual creator and artist.

-Matt

June 8, 2008 3:11 PM
 
Anonymous said...


Many who love poetry look at ‘foetry politics’ and say, ‘but what’s this got to do with poetry? If editors and poets use creative marketing and fund-raising methods which are not pure as the driven snow, if coteries exist in which friends support each other, so what? This has always been done and always will be done, and there are enough honest platforms out there for poetry, so what’s the big deal? If I really love poetry, why should I care about this nonsense? It’s trivial to me.’

Poets.net probably needs to answer this question.

Corruption is more wide-spread than anyone realizes.
Po-biz is very, very small and almost all the coteries are connected, and if you don’t happen to belong to one of these coteries, you really will lose out on a slice of the pie.

'Group-think’ permeates po-biz, due to the existence of coteries. This is a subtle point, because it is true that coteries and ‘group-think’ which arises due to coterie behavior is normal and there is nothing wrong with it, per se.

However, since poetry does suffer from a severe lack of open markets (because poetry doesn’t sell on its own and requires university subsidy and fees collected from contests which are run and won and judged by a relatively small group, consisting largely of these defined coteries) this ‘group-think’ does stifle free discourse, not from any conspiracy, but simply from the nature of coterie group-think, which, again, is quite normal.

“Group-think’ is really a misnomer, because ‘thinking’ isn’t really what occurs; it’s really a non-thinking gesture which prevails, an irritation with lively and original investigation; any ‘thinking outside the box’ is viewed with suspicion, since the insularity of 'group-think' is unconsciously rewarded and defended for the survival of what is essentially an entity which exists accidentally, not out of any necessity.

Coteries exist for themselves, not for the sorting and processing and development of new knowledge, and too much activity in the ‘knowledge’ area sends out warning signals to the coterie or club. Coteries always appear ‘innocent,’ precisely because they are ‘accidental’ (they contain persons X, Y, and Z for various social reasons, and most, if not all, are perfectly healthy reasons).

Coteries are ‘innocent,’ because they exist, not abstractly, but socially; they have no agenda beyond, ‘these are my friends and we together doing what we love.’

These ‘innocent persons’ are the first to protest when ‘necessity’ is introduced: “You are nothing but a coterie, you are not helping poetry, per se, poetry requires a more systematic investigation of…” These sorts of comments are those which immediately send up the flags, and this, in a nutshell, characterizes the current struggle between “Foets and anti-Foets” in poetry, today.

The coteries react with ‘innocent’ indignation (‘you hate us merely because we exist’) and the outsiders reply, ‘yes we hate you because you exist (for yourselves) merely.’

What gives the debate outlined above even more momentum is the following: The coteries become more and more enamored of the 'friendly' nature of the coterie-process and gradually become less enamored with intellectual debate and process, while the outsiders continue to become more enamored with intellectual debate and process, resenting more and more the friendly nature of the coterie process.

The rift widens, and the two sides become more and more irritated with the signals given off by either side. The coteries can smell the type who is ‘desperate for argument,’ while the outsiders feel they are quickly labeled a ‘troublemaker’ for daring to argue about anything substantial. The ‘anti-argument’ and the ‘argument’ sides solidify into their respective identities, and the end result is that the coteries grow more and more anti-intellectual while the outsiders grow more and more ferociously intellectual and argumentative; but even worse, the status quo of the coteries, in order to secure intellectual respect, will strive to be intellectual in highly bizarre and technical ways, while the outsiders, striving to appear friendly, to make up for a lack in that regard, turn timid and acquiescent--thus both the outsider’s passion AND the inquisitive intellectuality of the insider’s coterie-status quo become diminished to such an extent, that poetry loses even the minor edge it once possessed.

A great dishonesty finally prevails, with coteries pretending to be intellectual in more and more Byzantine ways, scaring more and more laypersons away, while poetry outsiders fall into toothless and ‘out-of-touch’ impotency.

Since poetry is ‘market impotent’ in general, coteries come and go fairly quickly, even occasionally receiving new blood from the quarrelsome, anti-social outsider.

So the rift exists in the first place, then becomes diminished, and sometimes disappears, but in a process, as described above, which damages poetry as a social entity and as an art.

Discussion within poetry loses effectiveness, for no one is talking to each other about poetry with an independent spirit; fashionable theories and ideas are repeated and shallowly discussed, everyone looks to each other, attempting to get clues as to what to say next, radical anti-intellectual statements are allowed to pass, since no one is prepared, to defend, in any substantive manner, any intellectual idea or principle, the whole of this idea having been eroded by groups staking out positions in the manner described above.

So here we are back to where we started: “for no one is talking to each other about poetry” and this was the initial complaint upon which I launched this commentary. It may be pointed out that I am guilty of the same thing, since here, at some length, I am demonstrating the problem of which I complain: verbosity which has nothing to with poetry; but the careful reader will see that I am clearing ground so that discussion of poetry might exist in a more fruitful manner; and also I would remind the reader that poetry can not be boiled down to ‘itself;’ the structure of po-biz will always matter, just as who writes the canon and the textbooks and the reviews and who writes the poetry, will always matter, beyond ‘the poetry’ itself.

Monday Love

June 9, 2008 12:25 PM
 
Anonymous said...


Socrates and Christopher are golden souls who provoke in a selfless manner: martyrs who die for others.

Oh, get a grip.

June 9, 2008 11:03 PM 

Anonymous said...


Anonymous,

Don't like Socrates?

Christopher did not literally 'die;' it's a metaphor. He 'died' on Poets.org for trying to speak the truth.

It doesn't sound like you read the whole post.

Monday Love

June 15, 2008 8:08 PM
 
Anonymous said...


• Have you ever felt stifled on a writing forum? If so, how? (Feel free to name names and specific writing forums).

I don’t know that I’ve “felt” stifled—in that I generally say whatever I want to say, even knowing that it won’t be popular. But I have been stifled. (see next question)

• Have you ever been banned from a writing forum? If so, why? (If you're not sure why, offer your best guess.)

I have been banned from one poetry workshop forum for defending another poster who had also been banned, without warning, for being too “harsh” with critique.

• On some forums, does the application of forum rules/guidelines seem to offer more leeway for administrators, moderators, and forum "pets"? If so, offer some examples. (Feel free to name names and specific writing forums).

Sure. I'd say it's probably almost universally true for a writing forum in which the administrators/moderators are also forum participants. You're just not an equal participant in the conversation when you make the rules, carry the stick, and are the one to offer the carrot.

The biggest issues that I see resulting from this are:

1) Moderators/administrators receive unduly positive, focused attention on their own posts/opinion/work because there is pressure to "kiss-up" to staff.

2) The moderator's social group receives preferential treatment in the application of forum guidelines. Other participants are punished for doing/saying the same kinds of things as the In Crowd.

3) The moderator's opinion may unreasonably influence the tide of comments. More a problem of weak constitution in posters than moderators, probably.

• In your opinion, should some forum topics be off-limits? If so, what topics should writing forums avoid altogether?

Nope. That's like saying some topics should be off-limit for poetry.

• Should forums allow for anonymous (for example, with no name or alias) discussion? Why or why not?

We go back and forth on this all the time, don’t we? Yes, probably they should. The biggest reason cited for forbidding anonymity is that it lessens personal responsibility and increases the tendency for virulence. Using the same name on a forum that you use to report to your boss, speak to your family, or publish your work does, obviously, mean that you are more conscious of a general public eye judging your behavior. So you’re probably less likely to act in a socially reprehensible manner.

But it also means less information. Working poets posting under their real names will surely be less likely to share honest criticism about journals, contests, editors, and peer poets. They’ll be less likely to post honest thoughts about published books of poetry (if they feel this criticism will in some way hurt them professionally). If the poster is using his “real life name,” he may be less likely to post politically or socially radical work, to post biographical narratives, or to write openly about topics which might impact his family or employment (sex, crime, abortion, whatever). If you tell someone they must create a permanent “persona” associated with their name, it seems likely that you will get a whitewashed version of the true, flawed human.

However, I do think that it is STRONGER and possibly more ethical to speak from a named position, to identify yourself openly. It’s just tough!

• Should forum members be allowed to discuss the policies and behaviors of other forums? Why or why not?

Yes. Self-criticism is always vital to growth and change. As participants in a broad arena of critical community and poetry-based discourse, we ought to engage in broader discussions about how and why we do the things we do.

• Should forums that accept government funds be required to follow at least a limited "Public Forum Doctrine" policy*? Why or why not?

I think they should be held to some standard regarding free initial access—although violation of forum policies could still result in termination of free access.

• How would you define "libel"?

Yeah, right.

June 16, 2008 1:38 PM
 
Logged

"Jen the Hen Speaks Softly But Carries a BIG Red Pen." --Hennifer Seagull

coolsitesnew

  • Guest
Cool information Web design
« Reply #7 on: July 24, 2008, 03:53:36 AM »
Good Design Web design.

[Deleted]
« Last Edit: July 24, 2008, 04:04:53 PM by Jennifer »
Logged

indy

  • Full Member
  • ***
  • Posts: 124
Re: Writing Forum Survey
« Reply #8 on: July 24, 2008, 05:13:38 PM »
Monday wrote:

Quote
'Group-think’ is really a misnomer, because ‘thinking’ isn’t really what occurs; it’s really a non-thinking gesture which prevails, an irritation with lively and original investigation; any ‘thinking outside the box’ is viewed with suspicion, since the insularity of 'group-think' is unconsciously rewarded and defended for the survival of what is essentially an entity which exists accidentally, not out of any necessity.

I don't think the coteries you describe do exist accidentally. I believe they are born of necessity: they allow coterie members to avoid, or at to least minimize, loneliness, doubt and a sense of failure. The comfortable, friendly environments coteries set up are controlled environments, domesticated environments, if you will. The main goal of the group (herd) is safety first. That’s what all the lusting after rules is about. People think: if I know the rules and follow them, I’ll be safe and successful. In this way, the process of intellectual debate is often replaced with a game of one-upmanship, where the goal is to win the argument, not further it, and to reinforce one’s sense of success and safety through a feeling of superiority. Bizarre and technical ways ensure a winning argument and, in addition, reinforce the façade of superiority. Who can argue against Byzantine ways? And, more importantly, who would want to?

The outsiders themselves can form what looks like a coterie to insiders or other outsiders, to all those outside their circle.

To which Monday responded:

Quote
That's brilliant!

Would you like to form a coterie?

But seriously...

As you say, coteries further safety and self-interest. Coterie-networks increase the 'coterie power.'

The genius stands alone, grumpy and anti-social, unable to excuse the flaws and foibles which the coterie-members excuse in order to get along with one another.

The genius may live in a coterie briefly, but his membership is a different one from the mere toady. A coterie may spring up to defend the genius; the toady exists for the coterie and never the other way around.

The coterie is actually a healthy social entity--except when it exists for certain purposes beyond the universal 'get-along' spirit.

The coterie teaches 'get-along' at all costs. The spirit of 'get-along' works in a general social manner, but hinders analysis. The coterie applies the glue when the problem requires the knife.

The genius is capable of appealing to a very large public, much larger than a coterie-network; coteries are not naturally popular, and usually gain wider social appeal by attacking what the genius stands for. The coterie rarely appeals directly to the public; they do so insidiously and indirectly. Glue lacks clarity and the public requires clarity.

To which I responded:

Quote
the toady exists for the coterie and never the other way around.

The coterie is what makes the toady. Without the coterie the toady would be nobody, a circumstance that is an anathema to a toady. Not so for the genius: “I’m nobody! Who are you?”

Quote
The coterie teaches 'get-along' at all costs.

“Get along” becomes “get along, little doggie” for anyone who decides the cost of sociability, at the expense of the ability to challenge, is too high. The big dogs in the coterie make sure of that. “Our way or the highway” becomes the enforced mantra, and anyone who doesn’t comply is treated like a wayward child or a whiny kid, as someone who needs to be scolded, (re)educated and punished, often by being given a permanent time out in the form of banning, which, in online poetry communities, is the equivalent of shunning. The behavior of the shunned member is usually cited as the reason for the banning, but often times the big dogs’ behavior is far more offensive in terms of duplicity, manipulation, petulance and “flaming”. It is often the banned members’ ideas, rather than their mode of delivery, that is really found to be troublesome, or perhaps it is the idea of nonconformity itself that is threatening.

Quote
The genius is capable of appealing to a very large public, much larger than a coterie-network; coteries are not naturally popular, and usually gain wider social appeal by attacking what the genius stands for. The coterie rarely appeals directly to the public; they do so insidiously and indirectly.

The appeal and influence of a genius manifests through persuasion, on the level of ideas; the appeal and influence of a coterie manifests through coercion, on the level of power and control. If coterie members and the public are not exposed to unsanctioned, non-coterie ideas, they will be more easily appealed to and influenced. If that doesn’t work, the safety and success of questioning coterie members can be jeopardized, and they, too, can be threatened with banishment. When all else fails, the coterie wields the ax. Fear becomes the glue in coterie cohesion, and the coterie ceases to be “a healthy social entity.”




Logged

dmanister

  • Sr. Member
  • ****
  • Posts: 414
Re: Writing Forum Survey
« Reply #9 on: July 25, 2008, 08:18:17 AM »
Monday Love writes:
Quote
"A great dishonesty finally prevails, with coteries pretending to be intellectual in more and more Byzantine ways, scaring more and more laypersons away, while poetry outsiders fall into toothless and ‘out-of-touch’ impotency."

'Discussion within poetry loses effectiveness, for no one is talking to each other about poetry with an independent spirit; fashionable theories and ideas are repeated and shallowly discussed, everyone looks to each other, attempting to get clues as to what to say next, radical anti-intellectual statements are allowed to pass, since no one is prepared, to defend, in any substantive manner, any intellectual idea or principle, the whole of this idea having been eroded by groups staking out positions in the manner described above.
"

Monday, what's your point?

That we should produce more profound discussions of poetics rather than shallow ones?

Well, we're doing the best we can. Your complaint implies that we're being deliberately shallow for some nefarious purpose, when if we were honest and true-blue poets we would be deep and incisive.

If you want better discussions, just ignore us and find a lit blog to suit your taste for brilliance.

If poets can't discuss the latest fashionable literary theories in their workshops, where do you suggest they go? Starbucks?

Or are you suggesting that we insufficiently profound poets stop discussing literary theories entirely in our workshops?

Or that people do not differ in their opinions on a particular theory? For example, structuralists and post-structuralists should agree, so as not to form what you call "coteries," but which have been known throughout the history of visual and literary art as "schools" and "styles."

William Carlos Williams wrote a diatribe against Eliot's Symbolism and classical allusions. If that were posted on poets.net, would you object?

Or do we all have to be as smart and poetically successful as Williams to earn your permission to post our opinions?

But no, that would contradict your anti-intellectual intentions, i.e., making "laypersons" feel comfortable on this forum.

I have heard many complaints about poets discussing poetry in the forums. But alienating laypersons is a new one on me. Why would a layperson want to participate in a discussion of literary theory?

That would be like poets being alienated on a forum for quantum physicists who don't include laypersons in their discussions.

Is your message that we have too little knowledge to discuss theories? Or too much? Or what? Do you want us to discuss literary theories in a shallow manner to make these laypersons feel comfortable reading them, or do you want us to stop discussing them in a shallow manner and get deep? Or do you want us to stop discussing literary theories completely?

Do you have a companion attitude towards the posting of difficult poetry? Should all the poetry posted in the advanced workshop be accessible to laypersons? Are you a great popularizer of literature, like say Edgar A. Guest ("It takes a heap o' lot 'o livin' to make a house a home"), or Robert W. Service ("strange things are done in the midnight sun by the men who moil for gold")?

Monday please note that the topic heading for discussions of literary theory includes the phrase "intellectual discussions," so we are appropriate in our attitudes within those threads.

I believe you just want to dumb down the forum for your own personal reasons. J'accuse.

The news from Delphi is:

Quote
the whole of this idea having been eroded by groups staking out positions in the manner described above

So we're not trying to figure out what these theories mean in a collaborative manner, we're staking out positions? What crystal ball has revealed to you what our positions are with regard to theories? It seems to me we are trying to figure out what are positions are; that's the whole point.

Or is taste a "political position"? If that's what you think, please explain how taste allies itself with politics. for example, if I prefer poetry that is inaccessible to fourth-graders, am I a communist? Or worse, a postmodernist?

Diana Manister

.
« Last Edit: July 25, 2008, 08:41:52 AM by dmanister »
Logged

monday love

  • Hero Member
  • *****
  • Posts: 893
Re: Writing Forum Survey
« Reply #10 on: July 25, 2008, 01:02:25 PM »
Diana,

Funny how you imagine that one either ‘dumbs down’ or one ‘talks theory like quantum physicists.’  So you think I am ‘dumbing down’ and thus spoiling your quantum physics theory discussion?

You write, “Well, we’re doing the best we can.”  My remarks were not aimed at you and the others writing in these threads; I was speaking much more generally.  You don’t need to take my remarks so personally.  I apologize if you thought I was saying you were not profound enough.  Please know I would never be so insulting.  Also, when I discuss ‘laypersons,’ I’m not talking about people ‘on these forums.’  I’m speaking very generally there.

I think I see the source of our disagreement.  My arc is one of general criticism based on this idea: Poetry SHOULD be popular; it’s NOT like an advanced physics investigation, and we should not pretend poetry is a science like physics.  That’s where all the trouble starts.  I think of poetry as the polio vaccine.  Give it to everyone.  Let poetry refine the human race.  Don’t turn poetry into a hot house plant accessible only to fatuous, smarty-pants, twits in love with ‘the difficult’ for its own sake.  I say 'fatuous,' for they usually don't know what 'difficulty' is, anyway.  Robert Service is more 'difficult,' for instance, than William Carlos Williams.   Anyone can write like William Carlos Williams.

Why do you think I have a say on what goes on where ‘poets discuss literary theories in workshops?’  Let them do so.  Let them disagree, and form their little groups of disagreement.  Are you defending this idea in general?  My feeling is that if I listened intently to such actual discussions I would be appalled at the stupidity, but that’s something which requires the sort of detail we are not touching on here.  And do you say that groups don’t also form for reasons of self-interest, as well?

‘Schools’ of poetry are usually signs of decadence and decay—the “Imagist” school is made up of poets who fancy they possess insight into “image,” but they protest too much; of course ‘schools’ will always exist, and hopefully there will always be geniuses to mock these various ‘schools.’  A ‘school’ is merely a tangled knot in a head of hair; they will crop up from time to time, but it’s a nice thing when we untangle them and make them go away.

Monday
Logged

gmpalmer

  • Full Member
  • ***
  • Posts: 170
    • WWW
Re: Writing Forum Survey
« Reply #11 on: July 25, 2008, 01:24:46 PM »
if I prefer poetry that is inaccessible to fourth-graders, am I a communist? Or worse, a postmodernist?

and here I thought you liked "The Red Wheelbarrow"
Logged

dmanister

  • Sr. Member
  • ****
  • Posts: 414
Re: Writing Forum Survey
« Reply #12 on: July 25, 2008, 03:11:08 PM »
Monday,

I see you've got a conspiracy theory going. Good luck with that.

I really don't think any of us feel we are in any kind of group here. Nobody agrees with anybody!

Palmer, thanks for the giggle.

Diana

.
Logged

monday love

  • Hero Member
  • *****
  • Posts: 893
Re: Writing Forum Survey
« Reply #13 on: July 25, 2008, 03:37:48 PM »
Monday,

I see you've got a conspiracy theory going. Good luck with that.

I really don't think any of us feel we are in any kind of group here. Nobody agrees with anybody!

Palmer, thanks for the giggle.

Diana

D,


D,

Again, my comments are not necessarily directed at those posting here.  You might be in a group, you might not.

"Nobody agrees with anybody!"

You agree with me.  It's just not apparent to you, yet.   ;D

As far as your use of 'conspiracy' with the word 'theory,' do world-historical individuals sometimes act in concert with others?   I don't know about you, but I will buy that 'conspiracy theory' any day.

A "giggle?"  I laughed out loud.

Do you know what's interesting?   T.S. Eliot, in his famous "difficulty/metaphysical poets" essay, selects the following passage as an important example:

Stay for me there; I will not faile
To meet thee in that hollow Vale
And think not much of my delay;
I am already on the way,
And follow thee with all the speed
Desire can make, or sorrows breed.
Each minute is a short degree,
And evry houre a step towards thee.
At night when I betake to rest,
Next morn I rise nearer my West
Of life, almost by eight houres sail,
Than when sleep breath'd his drowsy gale. . . .
But heark! My Pulse, like a soft Drum
Beats my approach, tells Thee I come;
And slow howere my marches be,
I shall at last sit down by Thee.

--Bishop King

Eliot then mentions that King is admired by Poe.  Odd that Poe should pop up in one of the chief documents of modernism.  As if he doesn't pop up in enough places as an influence in world literature...

Anyway, does anyone find this passage 'difficult?'

Monday

Logged

Terreson

  • Guest
Re: Writing Forum Survey
« Reply #14 on: July 25, 2008, 07:51:49 PM »
Diana,

Funny how you imagine that one either ‘dumbs down’ or one ‘talks theory like quantum physicists.’  So you think I am ‘dumbing down’ and thus spoiling your quantum physics theory discussion?

You write, “Well, we’re doing the best we can.”  My remarks were not aimed at you and the others writing in these threads; I was speaking much more generally.  You don’t need to take my remarks so personally.  I apologize if you thought I was saying you were not profound enough.  Please know I would never be so insulting.  Also, when I discuss ‘laypersons,’ I’m not talking about people ‘on these forums.’  I’m speaking very generally there.

I think I see the source of our disagreement.  My arc is one of general criticism based on this idea: Poetry SHOULD be popular; it’s NOT like an advanced physics investigation, and we should not pretend poetry is a science like physics.  That’s where all the trouble starts.  I think of poetry as the polio vaccine.  Give it to everyone.  Let poetry refine the human race.  Don’t turn poetry into a hot house plant accessible only to fatuous, smarty-pants, twits in love with ‘the difficult’ for its own sake.  I say 'fatuous,' for they usually don't know what 'difficulty' is, anyway.  Robert Service is more 'difficult,' for instance, than William Carlos Williams.   Anyone can write like William Carlos Williams.

Why do you think I have a say on what goes on where ‘poets discuss literary theories in workshops?’  Let them do so.  Let them disagree, and form their little groups of disagreement.  Are you defending this idea in general?  My feeling is that if I listened intently to such actual discussions I would be appalled at the stupidity, but that’s something which requires the sort of detail we are not touching on here.  And do you say that groups don’t also form for reasons of self-interest, as well?

‘Schools’ of poetry are usually signs of decadence and decay—the “Imagist” school is made up of poets who fancy they possess insight into “image,” but they protest too much; of course ‘schools’ will always exist, and hopefully there will always be geniuses to mock these various ‘schools.’  A ‘school’ is merely a tangled knot in a head of hair; they will crop up from time to time, but it’s a nice thing when we untangle them and make them go away.

Monday

I have such problems with this post.  Mostly, I think, because its iconic pronouncements make me want to go oclastic. 

First problem.  I want to know where it is legislated, and by whom, poetry should be popular.  Or, more specifically, that all poetry should be popular.  In what tablet is the commandment etched?  In his study of mytho-poeic grammar Robert Graves said an interesting thing.  He said that ancient Irish and Welsh poets could be grouped into two classes: gleemen on the one hand and bard (in Ireland the ollave) on the other.  In ancient Welsh bard meant master-poet.  In ancient Ireland ollave meant the same.  In ancient Ireland an ollave sat next to the king at the table and was privileged to the second degree.  By which I mean he was privileged above all others except for the queen.  Gleemen entertained, which is certainly a respectable office.  Bards, on the other hand, had a different set of responsibilities and their training was stringent.  Twelve years were spent in study and memorization of the canon, during which time the bard was not allowed to make original verse.  In Ireland this meant a complete mastery of the "seven degrees of wisdom," again based on the canon, was required before the poet was allowed to work originally.  Now here is Graves in his own words:

"The Irish ollave's chief interest was the refinement of complex poetic truth to exact statement.  He knew the history and mythic value of every word he used and can have cared nothing for the ordinary man's appreciation of his works; he valued only the judgement of his colleagues, whom he seldom met without a lively exchange of poetic wit in extempore verse."

So who says all poetry should be popular?  Gleeman poetry should be popular.  The ollave's job has to do with the "refinement of complex poetic statement to exact statement."  Who knows but that this is the right context in which to place the experimental in poetic language.

Second problem.  What is this nonsense about schools of poetry being signs of decadence and decay?  This is complete rubbish and suggests a lack of familiarity with the natural history of poetry.  In ancient Greece there were three traditions, or schools, in which poets worked.  The Homeric tradition (Ionian), the Hesiodic tradition (Doric), and the Orphic tradition (also Ionian).  Perhaps most famously Sappho worked in the Orphic tradition.  In the early to middle Medieval period there was the tradition, or school, of Medieval Latin Lyricists which culminated in the Goliardic poetry that peaked in the 12th C.  (Google Goliards for a fun, fun story of reprobate scholars and carnally inclined poets whose poetry amounted to the last flowering of poetry in Latin.)  In the 12th C there was the Troubador tradition.  Soon afterwards the Trouvere tradition of northern France.  Neither Dante or Calvacanti worked alone.  Rather, they worked in tandem.  And they both, along with an earlier Petrarch, begged, borrowed and stole from the Troubadors in both prosodic means and poetic themes.  Of course, the Elizabetheans worked in tandem.  As did the Storm and Stress poets of late 18th C. Germany.  And the Romantics.  And the Symbolists.  And the Russian Formalists.  And the French Parnassians.  And the Southern Fugitives.  And the...list of traditions and schools is damn near endless.  As for the Imagiste school, by which I mean the original movement before Amy Lowell appropriated it and carried it to America, the association lasted all of two years, maybe three.  All of its members took from the program what was most salient to them and moved on.  In my view, H.D. most profitably so.  Same could be said of the Black Mountain poets, the NYC school of poets, the Confessionals, and the Beat poets.

So what is this nonsense about poetry schools being a sign of decadence?  I don't mind poets not knowing anything about about the lit hist facts of the case.  Maybe I know too much, which, of course, would mean I still don't know enough.  But it irks the hell out of me when someone makes a prouncement about what is good and bad for poetry when he is uninformed about what darn well can be called poetry's natural history.

Gad damn, but I hope Harold Bloom stays alive long enough so I can tell him how much harm he has done.

Tere
Logged
Pages: [1] 2 3 ... 14   Go Up
« previous next »